DIEHARDS - it has been a long, long road to the mill getting this zine together, if you have been following the previous 4 issues this new issue will be like 4 issues in 1 with the volume tuned up to 11! If you are a dis-maniac this is the mania enducing read for you! - a true d-beat odyssey - don't miss out!
Headless Kross will be returning to action for the first time in a couple of years this weekend as part of an Our Future shakedown. Here's a few words from the lads about what they've been up to and what they have instore for us tomorrow!
2nd Feb will be your first live outing for quite sometime – what have you got in store for us?
Aye, it’s been a while since we were gigging due to various circumstances including Tommy’s touring commitments with The Cosmic Dead last year but we have a new album, Projections 2 finished and ready to go for mastering and we’re excited to get back in action in 2019. We’ll be playing material from the new LP as well as Projections I at the gig in Sleazy’s. Expect it to be very loud, psychedelic and heavy, of course
The second volume of your Projections project is nearly complete, what is the philosophy behind these albums, what should we expect from volume II and have you given any thought to volume III?
We had the idea to do 3 albums, and the way they would be linked seemed to evolve from that. The songs for 1 and 2 were recorded together and we put all the titles in a hat and drew them out to decide the tracklist for both albums (it might have been an upturned bongo rather than a hat). The lyrics have a common theme relating to things Derek was reading and thinking about at the time. Things like The Work of Art in the Age of Mechanical Reproduction, or Genesis P. Orridge's Thee Splinter Test essay. We have 2 monolithic songs ready for vol 3, along with a possible cover version/interpretation. We're particularly excited about the new songs. In terms if the words, it will probably be more of the same- Pretentious ideas and bits stolen from other people's writing. Business as usual.
Will 2019 see you back on the road? Any plans to head out on the highway?
Yes, we’ll definitely be gigging more this year with Kozfest in Devon already confirmed for the end of July with our good friends Skeleton Gong, Acid Cannibals and Wild Rocket also making the trip south. There’s another festival just confirmed but we can’t say anything about it until they announce it but we’re pretty excited do be doing it.
The gig in Feb is at Sleazys, a staple of the Glasgow gig scene which seems to be back in fashion of late – what does Sleazys mean to you? Any gigs that really stand out in your mind?
Nice’n’Sleazy’s is a brilliant venue to play. The sound engineers know their stuff and the PA is excellent. Members of Headless Kross have been playing gigs there since as early as 1993 in various guises. The Pigsx7 gig there a few weeks back was the busiest we’ve ever seen it in all the years of going there and it was an amazing atmosphere. You literally couldn’t get in the door if you showed up late. Hopefully it’s a sign that the Glasgow scene is alive and well.
Brain Anguish is a new Scottish hardcore group made up of members of legendary groups such as Sedition, Scatha, Disafect, Quarantine etc. The band will be taking part in the Our Future promoted concert at Nice and Sleazys on Saturday 2nd February together with Bratakus, Five Thousand, Headless Kross and EMS - the link to the Facebook event is at the bottom of the page - a gig not be missed!
The tribal rhythm is out in full force with BA – what bands were influencing you when you started working on the project.
Brian – I think the main influence was the drive with Angus and me to get something together that we could perform live. We had several other ideas over the years that never made it out of the kitchen and beyond the time it takes to drink a cup of tea. I think with Brain Anguish we wanted to do something worthwhile and this is why it has taken such a long time from concept to actually playing the songs live. It was a deliberate decision to sound the way we did. We wanted a stripped down basic rhythm with repetitive chord structures, using the imagery of anarcho punk. I would say key musical influences would have been Flux of Pink Indians, Killing Joke and Antisect.
Did you always plan to have a drum machine over a live drummer? Aside from logistics, what is it that drove you in this direction?
Yeah it was always the plan. The decision was probably in part due to the logistics of it all as well as what I said above in that we had an idea of what we wanted the band to sound like and a drum machine fit those needs. Getting together to rehearse with just the 2 of us is difficult enough so adding an additional member to the mix would have made that even more problematic. Plus it’s great that we easily fit in a car without having to worry about carting a drum kit all over the place.
Obviously, its early days but what do you have in mind for 2019? Do you feel any pressure given your background with other groups?
I would say the main focus is to get a proper recording done and get something physical released to try and get the band out there a bit more. Hopefully this will allow us to play more gigs. I can’t speak for Angus but I personally don’t feel pressure. I’ve always see this as Brain Anguish; it’s a different band which sounds different to the other bands I have played in in the past. People will either like what we do or not. I can’t change that outcome so as long as we are happy with how things are going then it will be what it is. However, in saying that though, there is pressure coming from a different side in that we are still trying to grasp all the different jobs we’ve given ourselves whilst playing. For example, Angus has never played a bass in his life, never mind play and sing at the same time! I’m still in the infancy of learning how to use a looper pedal properly and we’re still trying to grasp the concept that if we make a mistake the ‘drummer’ keeps on playing.
The gig in Feb is at Sleazy’s which has been enjoying a bit of a renaissance as a key venue for punk gigs in Glasgow over the last few years. What does Sleazy’s mean to you guys? Any gigs from the old days that really stand out for you?
I’ve played and watched numerous gigs at Sleazy’s from the 90s to present. It’s a great venue and probably doesn’t receive the recognition it deserves in supporting the DIY scene by allowing people like us to organise gigs and play there. I think as well with people like James T doing gigs there now it’s even better. Like us, James comes from the DIY scene and knows what’s what and it’s made for gigs there being a great experience in general.
Gigs of the past that stand out? Hmm Jawbreaker, Lungfish, Health Hazard, One By One, Hiatus, Post Regiment, Unhinged. There have been tons of great gigs. Recent great memories have been Mob 47, Active Minds, Mwstard and Fit to Work. Long may it continue!
It's almost a pre-requisite now for any band looking to make waves to label themselves as belonging to their own sub-genre as soon as they throw all the unsold copies of their limited to 5 CDR demo in the bin, but as will be abundantly apparent to anyone who has been following the label, zine, or any of my other project, Thisclose, over the past 6 or 7 years there is only one genre which matters to me, The New Wave of the Grave New Beat, and 2018 has produced some fantastic releases which, in my humble opinion, can proudly fly the NWOGNB banner. In no particular orderhere are my top three recommendations for 2018.
Sexplosion - Vol. 3: Nouvel Age Des Tenebres
The comparisons to Gism are easy and appropriate, but it's the whole package of over the top image, in-it-for-life attitude and top-notch musicianship that provide the meat on the bone here. A power-house of nightmare incarnate, dirty hardcore for dirty people living in a dirty world - keeping the true punk spirit real into 2019 - hopefully I will get to catch them live in 2019.
Decade - World Stops Turning
A real coming of age for these Canadian lads,they first got in touch with me before they even had a demo out and, I'll be honest, while I enjoyed the demo when it emerged it did not strike me in the way I was expecting. fast forward to December 2018 and the gauntlet has well and truly been lain down, Decade delivering a visionary take of the Discharge sound, the embodiment of the NWOGNB and a unique record which will be talked about for years to come.
偏執症者 - Heavy Mental Fuck-Up!
Another home-run from everyone's favourite modern-day Swedish Mangel-meisters. Raging hardcore mixed with metallic flourishes (fuck, the Kill 'Em All nod on the first tracked KILLED ME!) without ever falling into the 'metal-punk' bucket. This is angry, powerful music that makes you want to throw your sofa out the window, set fire to the curtains, sell your family, mainline white lightning and howl at the moon - for heavy mental fuck-ups ONLY!
Canada's Decade have been around for a few years now and I have been in touch with Gavin pretty much since the bands inception. Although Gavin talked at length about his love of latter (or do we now say mid?) era Discharge from the very beginning of our relationship the first releases from Decade were, to my ears, still working very much within the traditional style of Discharge influenced hardcore - fast, aggressive and simplistic riffs over that particular drum beat - but with a slight noise/psyche influence marking them out as something different. However, with their debut album they have truly found their sound, gone are the trappings of their earlier records and in their place we find a fully realised vision for a mixture of the 90's Discharge records played through a Japanese hardcore blender. A true example of the GRAVE NEW BEAT sound and attitude.
I am extremely proud to be releasing this record next month - stay posted for information on pre-orders including a CD/t-shirt bundle - I am positive this record is going to fly out the door.
Here is a short interview with bassist/vocalist Gavin to give you a bit more of a flavour of the band, it was conducted earlier this year so apologies if some of the answers are a little dated - there will be a full interview in the next issue of Our Future zine (more info on that one in the new year!)
There seems to be a desire within the bands songwriting to
push beyond the norms of the d-beat genre, would you say this is an accurate
statement? What is the bands approach to songwriting?
- G: I'd say that is an entirely accurate statement.
Before the band had begun, I had a lot of partial ideas for titles written on
guitar. Though I play bass and do vocals, I am still directly involved with the
writing of the guitar. The lyrics;especially from newer titles, draw a lot from
personal experience and more literal sentiment.
Will we see a further development of this songwriting over
the bands future releases? Is there a next release planned for Decade?
- G: There will be a progressive curve with each new release
we feel and are encouraging. People who liked the DECADE demo will
still like the new sound I believe. We have an LP planned for 2018 that we hope
to record by March.
The bands name is quite unusual, is there any special
meaning behind it?
- G: The name has no particular origin, it was just
something we all felt was strong enough and that didn't carry too much
"Dis-ish" vibes but still reminded us of "Discharge" and
Japanese punk bands we like.
What is the local scene like in Toronto, any bands you
would like to give a shout out to?
- G: Things happen in Toronto, there are shows and bands.
Nobody that is really my personal cup of tea or that I feel would be relatable
to us. I feel that most of our support comes from outside of Toronto;
especially Montreal and internationally.
Finally - most underrated Discharge record, and why?
- G: Shootin' up the world, because it has the most put
together production, best riffage and none of the songs have ever been played
live.
World Stops Turning by Decade is up for streaming and pre-order on our bandcamp page now!
Japanese noise grind legends are returning to Glasgow next month and as anyone who was witness to the last gig will confirm this is not one to miss. Tour support Atomck are also of a very top drawer nature and Droves with their new vocalist is said to be a whole new ball game.
In late 2017 I had the idea to start another zine entitled 'The Future is Now!' which would only focus on younger groups who are currently active within the scene. Sadly, for a variety of reasons, the zine has not come to be, and so I will be posting the interviews and articles I did complete here on my blog over the next few weeks.
As always, if you enjoy what you read please share it via social media - cheers!
Bratakus
Bratakus are 2 piece punk/hardcore group from the North of Scotland. They play non-stop and are part of the backbone of the current Scottish scene. Read on to see whats up!
1. Please tell us about the origins of Bratakus, what did your friends make of you as teenagers living in rural Scotland making punk music in this day an age?
B: Bratakus started about 3 years ago. I had been playing gigs as a solo acoustic act, but I was frustrated because that wasn't what I wanted to do. I spent years trying to form bands with no luck, when finally my sister Onnagh learnt the bass and we decided to play just the two of us and a drum machine! Up where we live there aren't that many like minded people. A lot of farmers and game keepers who don't really like bands singing about animal rights and stuff, we have a few good friends up where we live though and they're all really supportive of the band. It's really nice having people who'll help you out whenever. Even down to little things like helping us film our music videos and stuff.
2. The band has really built a name for itself through relentless touring, how well has this worked for you? Do you see the audience growing as you revisit the same places? How important do you see playing gigs vs online presence in building an audience for Bratakus?
O: It's been really great that we've had the opportunity to play so many gigs. We play basically non stop! Our first gig was at the Glasgow Rock 'N' Roll school for girls fundraiser and we met a lot of really amazing supportive women there that have helped us out a lot since then. I think we've definitely built more of a name for ourselves through gigging, neither of us are very good at keeping up with the social media profiles we have for the band, so we rely mainly on people discovering us at gigs rather than online, but we have had some good opportunities through people finding out about us online too, so I think social media is definitely helpful for promoting yourself as well.
3. Your debut LP 'Target Girl' came out last year - tell us about it, are you happy with the results, how has it gone down with your fans? Any interesting feedback? Would you do anything differently if you could do it again?
B: We put our first album out on our family run label Screaming Babies Records in August last year. The name came about partly because of a video I saw of a woman in the 50s practicing knife throwing on her 2 toddlers in their garden which was so bizarre it started an obsession with knife throwing, and also because Onnagh had done some cool drawings of knife jugglers and stuff and we wanted to incorporate them into the album art. We thought Target Grrrl would be a cool name because although it's the name of the girl that stands in front of the target and gets knives thrown at her for a performance, it also reflects on the way women are targeted in the media, the work place and in day to day life. So far we've had really positive feedback about it which has been really cool. If we could go back, we'd definitely do a few things differently, there are some little things like spelling mistakes on the back cover and stuff. The main annoying thing is that some how 3 of the tracks are mixed up in the middle of the album so they don't match up with the track list on the back. They're in the right order on the lyric sheet, so it's fairly easy to work out what ones they are, but it's still pretty annoying! Other than that everything was a learning experience since we had never recorded anything in a studio before. I think we're both pretty happy with how the album turned out considering we had no idea what we were doing!
4. Its great to see you both flying not only the vegan flag but also the sXe flag but it having nothing to do with the 'vegan straight edge hardcore' scene - are you even aware of that scene/types of bands? What drew you towards these beliefs? Are any of your friends up north sXe as well?
O: We've been vegetarian our whole lives, and we went vegan nearly seven years ago now. We always believed strongly in animal rights and when we started to look into what happens in the dairy/egg industry and realised what really went on we turned vegan very quickly. As for being straight edge, we were just never really into drinking and the whole culture that surrounds it. We really like Minor Threat, but other than that we're not particularly into/don't really know much about the straight edge scene or straight edge bands, but we do have a couple of friends who are straight edge up where we live.
5. As well as political numbers your lyrics also touch upon a lot of personal issues - which kind of song do you enjoy writing more?
B: I very rarely write personal songs because I find them much harder to write, so I'd have to say I enjoy writing political songs more. I find it easier to think of issues to write about because there's so much going on in the world that unfortunately still needs to be sung about. I still struggle with lyric writing for any kind of song though, I'm ridiculously critical of my lyrics considering 99.9% of people can't actually understand them when I'm singing, haha. Because we are away gigging so much, it's getting harder to find the time to write new songs, when I was 14-17 I wrote most of the songs we play on our album cause I could be more focused on it and sit and write a song whenever I had the inspiration, but now I have to sit down and think "Okay, I have a little bit of free time, I should write a new song" and it's much more difficult for me to write songs like that. On the bright side, it's been amazing being able to gig so much!
6. Are there any of your songs that you look back at and think "oh I'd do that differently now" or "did I really write those lyrics?"
B: The lyrics for our song Foodchain from our first EP are pretty terrible, but I was only 13 when I wrote them and I really didn't think anyone but me would hear them, so I didn't try too hard. As I said before, I'm pretty embarrassed by all my lyrics and that stopped me from showing my songs to anyone for ages, until one day I was talking about song writing with our friend Brain (Quarantine, Disaffect, Ruin, Debris, Brian Curran Acoustic) and I said that I didn't play my songs to people cause I didn't like my lyrics and he just said "Neither do I." and I thought, if Brian has been in bands his whole life and still doesn't like the lyrics he writes then what's stopping me? At least now I can disguise them with shouty vocals, haha. (Though I still don't like that I have to print them on our albums and EPs so people know what the songs are about...)
7. As a two piece all female band in a scene full of blokes do you feel any kind of pressures? Have you experienced any prejudice because of this?
O: Mostly we've been really lucky and have met really nice supportive people doing the band. I think the scenes we're part of in Scotland are really good at supporting women in bands. But we've definitely encountered situations where we feel uncomfortable, and where we didn't feel like we were being treated equally. Like we said, for us the good has outweighed the bad. There's a lot of really great people who are doing a lot to help and to encourage women into the music scene right now. So it's important to support these things to help women who have to deal with a lot more than we have.
8. How would you encourage more girls to get involved in the scene?
B: I think the Glasgow Rock N Roll School for Girls is a brilliant way to encourage girls into the music scene, it's a week long event run by volunteers, where girls from age 8 to 16 come in, meet like minded people and learn how to play different instruments, form bands and write songs, amongst other things like zine making and body positivity. At the end of the week there is a showcase and all the girls get to perform their songs on stage and it's really amazing to watch them learn so fast, gain so much confidence and write genuinely great songs in just a week.
Girls Rock Schools happen all over the world now, so find one in your area and either sign up to volunteer or participate. Other than that, just being supportive of the women in bands right now is a massive thing you can do to encourage more women into the scene, e.g. don't say "You're pretty good, for a girl", or just talk about how attractive they are rather than their music, and don't always put them first on the bill, etc.
9. You guys are today's generation - the troops of tomorrow - what do we need to do to make sure we have a future?
O: I think it's really important to sing songs about things that you feel are wrong with the world right now, it's a really good way to spread messages you feel are important, both our parents were turned vegetarian at a young age by bands and what they sang about. Me and Breagha discovered the Riot Grrrl scene through Bikini Kill and that was what got us more into feminism and made us read up a lot more about it and become more passionate about it. So writing lyrics is definitely a good way to spread messages. Also making fanzines or writing a blog or something. Things that seem really small and insignificant can actually help a lot. If you feel really strongly about something find a way to spread the word about it!
10. Finally - whats up with Bratakus - look into your crystal ball and tell us whats gonna happen in 2018
B: : We're slowly getting some new songs together, though it'll probably be a while before we release another LP. We'll hopefully put another EP out before then, we're planning to put out a split EP with our pals Gay Panic Defence sometime soon. We're also hoping to do a European/Scandinavian tour this year, and putting another zine out too, we were thinking of a vegan recipe zine. Plus, we have loads of gigs lined up where you can come and see us. So, keep a look out on our Facebook page for new stuff happening!
Well we are now about 4 months since Mob 47 rocked through Scotland for the first time ever, life unfortunately leaving the blog and label activities on the DL for a while.
The tour was a smash hit success and everyone who witnessed the Swedish legends was in agreement that it was well worth the 30 odd year wait.
OurFuture zine is very much on the back burner at the moment with the 4 issues of Volume One now printed (issues 3 & 4 still available here) however I have started compiling interviews and articles for a future issue with summer 2019 in mind as a release date.
With regards to the label there are three releases in the pipeline, but whether any are released before 2019 is anyone's guess!
So the only thing that is 100% certain is that Our Future will be helping with the promotion of the gig for legendary Japanese grinders Sete Star Sept in Glasgow this coming September - more details to follow!
With less than a month to go now until I fired a few questions over drummer Chrille to see whats up with the band and how the preparations are going for their trip. The buzz round all the shows is high and the tour looks set to be one of the hardcore highlights of 2018 - do not miss out, mark the dates in your diaries and follow the events on Facebook today! Following the interview is a video of the band playing in Singapore a few years back, just because the SxE Asian scene kicks so much ass. Enjoy! Interview with Mob 47 drummer Chrille Jan 2018
When you were teenagers how did you imagine the UK punk scene? How did you feel when you first heard Discharge? Am I right in thinking you had a some connections with the scene?
UK punk scene was brutal in the eightiesbut I remember when Åke play Discharge for the first time for me,, how that was amazing I was in love. Yes Discharge is big influence for Mob47 but also Varukers and GBH
What were your expectations when you last came over 10 years ago? Was the UK everything you hoped it would be?
Yes I think so; we didn’t have so such high expectations for UK hahaha
It's ten years now since your last full studio recording the 'Dom Ljuger Igen' EP - are there any plans for perhaps a final Mob 47 EP?
We have talked about it and Åke have done some guitar riffs so will see that happens
Your flexi release from last year featured an unreleased demo from the 80's with Per from Agoni/Discard on vocals who sadly passed away last year - do you have any memories of Per you could share with us?
Per was a lovely person and he did a lot of lyrics to Mob 47, really sad that he passed away.
I don’t have so much memory but he was a big Mob47 fan and was in our rehearsal room many times writing lyrics to us.
final question - what can the Scottish punks expect from Mob 47 next month?
The will see and listening to real Swedish fast C-beat mangel with no krångel !!!
It’s the first time for us to play in Scotland and we really looking forward to it, hope to see you there
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - Ask a punk! - Sheffield w/Ratcage + State Funeral
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
This issue has UK ‘noise punk’ heroes THE WANKYS as its focus and celebrates the band’s tenth anniversary. The zine includes lengthy interviews with guitarist/vocalist ‘Mr Wanky’, drummer ‘Mr Beat Meat’ and SPHC label boss Dan McGregor as well as a broad selection of articles which look back over the group’s first decade together.
24 A5 pages. PRICE = £1.50 each + postage via bandcamp
Now then, while you await the arrival of your copy I would like to share some photos of The Wankys from 2008. These rare early shots of a London gig were shared with me by Tony Gunnarson of More Noise fanzine and label fame and I think really capture the feel of a fresh faced band ready to take on the world with their noisy guitars. Some of these snaps made it into Issue 3 of Our Future but here is the full set for your perusal - enjoy!
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/Ratcage + State Funeral
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
The Swedish hardcore scene has always been recognised as one of the world's powerhouses with wave after wave of distortion wielding viking wizards choosing the medium to express their anger. From first wave artists such as Shitslickers and Anti-Cimex, through 90's heroes like Disfear and Totalitar, to present day bangers 偏執症者, the country continues to punch way above is belt in terms of the quality, and quantity of bands it produces.
So what would be more powerful than a Swedish hardcore band you might ask? Two Swedish hardcore bands of course! For a brief couple of weeks back in early 1984 such a world collision occurred - Per, vocalist with Agoni, found himself fronting Mob 47 long enough to lay down a couple of tracks, but sadly not long enough to take part in the recording session for the legendary Karnvapen Attack EP. Luckily for us the ever fantastic Insane Society label decided to press these Agoni/Mob 47 crossover tracks as a flexi disc in 2016 so that we might all enjoy this unique crossover - and what a rager it is!
Sadly Per passed away earlier this year, but his legacy lives on in wonderful recordings such as these, hopefully inspiring young punks for many generations to come.
Enjoy the sounds, order the record directly from the label, and check out the northern UK tour dates below!
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/Ratcage + State Funeral
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
Ironsystem are a relatively new hardcore band based in Fife, made up of various scene veterans who still have something to say and I'm very pleased to say they will be opening the night for Mob 47 in Edinburgh. Cheers to guitarist Jim for taking the time to tell us a little about the band and what we can expect from them on Sunday February 18th 2018.
Tell us a bit about Iron System then, I know we are talking about some fine Fife punk heritage with members of Japs Eye and Acid Tongue involved but who else have we got and how did it all come together?
Ironsystem is made up of Jacko, (Japs Eye) on bass, Jim, (Acid Tongue) on guitar, Kev, (Overspill) on vocals and Gogs, (Down to Kill) on drums. A mixture of Fife and Livi attitudes really. It came together with Jacko, giving me (Jim) a phone call, asking if I fancied playing guitar for a new project he was starting. I was up for it, so we start writing songs, got Kev involved, who in turn asked Gogs if he was up for a bit of drumming. It all just kinda slipped into place with everybody being available at the same time.
You've just completed your first recording session, how did it go, are you happy with the results, when will be able to check out the tunes?
Yeah, we recorded our new EP, “Dead Time” at Vulture Studios with Jim Threat in the summer there. We had a blast. We recorded 5 tracks and we’re, very happy with the results. Recording at Vulture studios was a very positive experience for everybody. We’re at the nippy stage of cover designs, but we’re almost ready to unleash it. It’ll certainly be available for the Mob 47 gig, just the wee things to iron oot.
What was the inspiration behind the bands name, for some reason i think of Thatcher and 'The Iron Maiden' - am I totally off the mark?
You’re a wee bit off the mark with the Thatcher references, but not too far. The name is taken from an essay by Marxist philosopher Theodor Adorno. The iron system is the system that allows the ruling elites to dictate the culture for the masses, whilst continuing to make money for themselves. In other words, get the masses more interested in the plots of soap opera’s and pop music, then they’re not looking at the elite robbing them blind. As big Theo states, no-one can escape the rhythmic throb of the iron system.
You're opening for Mob 47 at the Banshee in Edinburgh on Sunday Feb 18th - what can the audience expect from you, are you ready to shake it up with the might Mob 47?
We are definitely looking forward to the Mob 47 gig, the Edinburgh crowd will expect we kick the fuck out of it as we do with every gig we play. So, what can we do but thrash and kick the fuck out of it, be rude not to.
Whats next on the bands agenda, any plans to play further afield?
Ironsystem hope to go South into the rest of the UK at some point to spread the throb of the hypnotic rhythm. But we’ll also continue to gig in Scotland for all the great people we’ve played gigs for already. We’ll also be looking to record more tracks for release next year. It’s all looking exciting where we’re standing with the release soon of the Dead Time EP and gigs on the horizon. We cannae wait really, bring it the fuck on.
Finally, were can we check out your music and do you have any other upcoming gigs?
We’re hoping to have the EP on as many formats as possible. Take advantage of the digital age. But we’ll also have CDs available at our gigs when it is released. We’re playing with Sanction This, Razor Sharp Death Blizzard and Subvision on the, 1st of December at the Banshee Labyrinth in Edinburgh, which is gonnae fuckin rock the shit out of it. We’re also supporting Dogflesh in the Windsor in Kirkcaldy on the 16th of December, another one to wet, the appetites. Looking forward to seeing, Rob, Tim and the boys again for an ear bleeding evening of mayhem. As for next year, keep an eye and ear out for ironsystem coming near you.
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/Ratcage + State Funeral
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
Doom's 1994 EP 'Hail to Sweden' may have been born out of nothing more serious than a cider swilling session (is there anything more serious to a young punk?) but its lasting impact has been enormous, serving as a gateway drug to the Swedish scene for young crusties such as myself in the pre-internet era. Doom managed to stamp their signature sound onto all of the tracks featured and create a ferocious record which does not let up from the moment the needle hits the wax, with their devastating version of Mob 47's animal rights anthem 'Stop the Slaughter' being a particular highlight.
With the Mob 47 tour of The North coming up fast I asked Doom guitarist Bri would answer some questions for me about the origins of the EP and the influence of Mob 47 on their early work. Enjoy and see you at the gigs! What was the initial inspiration for the ‘Hail to Sweden’ EP?
Well, of course we all love Swedish punk/hardcore & it was my obsession in the early days of Doom to try to sound like those bands. So we talked about doing a tribute to those bands that influenced us. I guess it just started as a bit of a drinking/talking session. The more we talked about it (got drunk) the more the idea grew & then of course the chance to use the Manowar cover art & subvert it...
How did you go about choosing particular bands and songs for the EP? Did all members choose tracks or was it more down to one or two member’s choices?
It was all of us at the time, but there was never any question of leaving bands like Discard or Anti Cimex off it.
Were there any tracks which the band wanted to cover which just didn’t work or you couldn’t agree upon?
Not that I recall. It was probably more of a question of whether or not I could actually play the songs. I mean the guitar string bend on “Take a Look at Tomorrow was at the very limit of my guitar playing ability (touch & go) & still is.
Mob 47 are returning to the UK this February for dates in the north of England and Scotland, do you remember where you first heard their song ‘Stop The Slaughter’ and do you have any thoughts on what makes it such an enduring anthem?
It was more than likely on a cassette tape that Nik Napalm had done for me. Thats where I first became obsessed (its his fault).
I have always (since being into Punk) been concerned about animal welfare/rights & we’d done anti vivisection songs with the Subverters too, so I guess this song always stuck out to me lyrically. Are there any plans for Doom to record another covers EP, a hail to Japan or a hail to Bristol for example?
No, nothing planned. Although a Hail to Trump's dead festering corpse perhaps?
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/Ratcage + State Funeral
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
The Mob 47 gigs in February are shaping up nicely not only to be a celebration of legendary hardcore but an opportunity for DIEHARD fans to check out some of the raw talent that is cutting a path for itself through the patch covered, pyramid studded woodwork of the hardcore underground. Over the coming months I'll be taking the time to catch up with some of these groups and hopefully give you all a flavour of whats in store during the Northern Noise Mangel 2018 tour. First up we have a new group who's members hail from many corners of our fair country, Grieve. An impressive demo from earlier this year meant that when the band approached me about joining Mob 47 and The Wankys for their Scottish dates the decision was a no-brainier. Anyway, as Mr Dibergi himself would say 'enough of my yakin' - I'll let vocalist/guitarist David fill you in on the rest - enjoy!
Can you give us a brief history of the band? What was the initial inspiration?
Me and Stevie (Bass) had been talking about forming a d-beat band for about 2 years but could never find a drummer. I eventually got my act together and started coming up with some riffs. Then slowly but surely got round to recording the first demo, Atrocities. I played everything on the demo, just to save time and get it done as quick as possible. I actually recorded the drums while at a recording session with another band.
Inspiration was the usual suspects; Discharge, Doom, Extinction Of Mankind... You released a demo 'Atrocities' back in April with a sound very reminiscent of 90's groups such as State of Fear and Disfear - what sort of sound were you aiming for with the demo and how will you be developing on this with your next release?
We were definitely aiming for a really noisy Disfear kind of sound without going to the extent of completely ripping them off.
When it came time to lay the vocals down I had no plan, they just came out the way they are on the demo.
Our next release is a 5 track EP and it will be more of the same but with the full band playing this time. At this point all the music is down, I'll be laying the vocals down before the end of the year and it SHOULD be out by the time February rolls around. Grieve is now of course a fully formed group ready to rip it up with Mob 47 in February. How did the band come together, was it difficult to find members who shared your vision as I know this has been a problem for you in the past Vuil and the revolving door of drummers.
The idea to get the demo recorded as quick as we did was so we could show the people we had in mind and see if they'd be into it. Luckily the 2 people I had in mind were.
There was only one person that I wanted to play drums in Grieve, so if Sned didn't say yes we wouldn't be doing gigs and the 1st demo is all that would exist.
Grieve is not going to be a crazy active band on the live circuit, we will maybe only see each other and play a couple times a year and maybe get together for the occasional recording session. I can't imagine there will ever be a Grieve tour, that's just the way it is. How excited are you to be playing with Mob 47 then? Do you have any favourite songs or tales connected to the band you would like to share?
We are all quite exited to be playing with Mob 47! It's good that a punk band of that caliber is playing 2 shows in Scotland, we can't wait.
Obviously the 84’ EP is a classic in Swedish hardcore, It’s solid from start to finish.
No tales as yet, wait until February! Are there any other d-beat bands locally or nationally you'd like to give a shout out to at the moment? Which groups are currently crushing your eardrums?
Mainly the return of G.A.T.E.S!!!!
Nightwolf from Malaysia and International metal punk steel Indian Nightmare!
Finally, whats next for Grieve and where can we check your stuff out?
Who knows what will be next after the EP and the Mob 47 gigs? there's been talk of some split releases, maybe one of them will materialise but no future plans have been made as of yet.
Check out the demo while it's still up on bandcamp, it will probably come down once the EP is ready.
www.grievepunk.bandcamp.com
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/tbc Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
Mob 47 is a name that is no stranger to back of a leather jacket, and although inactive for almost 20 years after their initial demise in 1986 the band remains an incredibly important and influential force within the underground hardcore underground. I am beyond excited to be bringing them over for their first ever Scottish gigs under the Our Future banner next February and will be putting up a number of posts about the band over the coming months in anticipation of this historic event.
I thought it would be nice given issue II's focus on the Grave New World LP to give a nod to both Discharge and the year 1986 with the first Mob 47 post. By 1986 Mob 47 were in their third year of activities and already had quite a sizeable discography as the compilation CD/LP Back To Attack proudly attests. Quite uniquely for the time, and to be fair in general, Mob 47 decided during this period to record not one cover by Stoke on Trent's favourite sons but a collection of eight Discharge classics! Clocking in at almost 14 minutes this would be considered a full LP by many of today's d-beat pretenders. For me personally the beauty of these tracks is that they predate the trend of heavier guitars, guttural vocals and chainsaw guitars - what we get is just pure hardcore mania from a group of OG diehards.
Will the band treat us to any of these classics come February, only time will tell!
Mob 47 and The Wankys - Northern Noise Mangel February 2018 Friday 16th Feb - the Lughole - Sheffield w/tbc
Saturday 17th Feb - Pop Records - Sunderland (12-2pm Matinee) w/Prolefeed
Saturday 17th Feb - Nice N Sleazy - Glasgow w/Grieve + Droves
Sunday 18th Feb - Bansee Labyrinth - Edinburgh w/Grieve + Iron System
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